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紅色文化樂(lè)園——小小紅軍重走長(zhǎng)征路
Red Cultural Paradise—Little Red Army Retakes the Long March Road
紅色文化樂(lè)園以愛(ài)國(guó)主義教育研學(xué)為核心，基于長(zhǎng)征動(dòng)態(tài)史實(shí)場(chǎng)景，以小小紅軍參與長(zhǎng)征完成任務(wù)為索引，打造集紅色文化、知識(shí)、故事體驗(yàn)為一體的紅色文化博物館。樂(lè)園主
題圍繞紅軍長(zhǎng)征的艱難路程，打造瑞金集結(jié)、湘江空戰(zhàn)、遵義會(huì)議、飛奪瀘定橋、雪山越嶺、草地求生、臘子口炸碉堡、會(huì)師延安八幕主題。每一幕都以公館古建筑群落為環(huán)
境依托；打破傳統(tǒng)戲劇的既定模式。用環(huán)境鋪陳故事情節(jié)走向；用社交式演繹以及復(fù)古可感的藝術(shù)裝置實(shí)現(xiàn)劇情互動(dòng)。每一個(gè)來(lái)到這里的觀眾，既是研學(xué)的旁觀者，又是故事的
參與者，更是歷史的穿越者。
The Red Culture Paradise takes patriotism education and research as the core, based on the dynamic historical scenes of the Long March, and indexed by the small red army participating in the Long March to complete the mission to create a red culture museum that integrates red culture, knowledge, and story experience.
The theme of the paradise revolves around the difficult journey of the Red Army’s Long March, creating the theme of Ruijin Gathering, Xiangjiang Air Battle, Zunyi Meeting, Flying Over Luding Bridge, Snow Mountain Crossing, Grassland Survival, Lazikou Fortress, Meeting Yan’an Eight Acts themes. Each scene is based on the ancient building community of the mansion; it breaks the established model of traditional drama. Use the environment to spread the story plot trend; use social interpretation and retro-sensible art installations to achieve plot interaction. Every spectator who comes here is not only a bystander of research, but also a participant of the story, and even a translator of history.
